Join us for our 7th Annual Mini Movement Fest!
August 1, 2026 | 📍 Arts Mission Oak Cliff
Mini Movement Fest (MMF) is a daylong celebration of dance, creativity, and community in Dallas. This year’s festival features:
👯 Four movement workshops starting at 10 AM
🎭 An evening concert featuring powerful works by the Festival Artists
🎨 Local vendors, drinks, food, DJ, and MMF Artist Talk
All workshops are open to participants of all experience levels, high school age and older. Whether you’re a seasoned dancer or new to movement, there’s space for you here. We’re excited to welcome Alvon Reed, Jasmine Hearn, and Stephanie Troyak as this year’s Festival Artists!
Meet the FestivalArtists
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Alvon Reed is the Artist-in-Residence in Jazz at Southern Methodist University. Mr. Reed holds a BA in Spanish from Coe College and an MFA in Dance with a focus on Choreography from the University of Iowa. His performance credits include Nike, PUMA, Levi’s Jeans, Microsoft, Norwegian Cruise Lines, Inland Pacific Ballet, Nevada Ballet Theatre, Opus Dance Theatre, and Jennifer Muller/The Works. Alvon performed in Arena Stage's first multi-ethnic production of “Oklahoma.” Additional performance credits include Iphegenia with Marion Schoevaert, Othello with Eloy Barragán, and The Secret Sharer under the direction of Dr. Daniel Banks. As an instructor, Mr. Reed has taught at prominent dance schools both nationally and internationally, including The Milwaukee Ballet School, The Ailey School, Butler Ballet, Tanzprokjekt München, and Theatreakademie Prinzregenten in Munich, Germany. He has choreographed musicals for Theatre Cedar Rapids, Coe College, Revival Theatre Company, the Department of Theatre at the University of Iowa, and the Department of Theatre and Dance at Cornell College. His choreography includes Shrek, The Little Mermaid (which received Best Choreography in 2016), Sister Act, Newsies, American Idiot, Big Love, Hattie Mae’s Jook Joint, EVITA, Ragtime, 9 to 5, Rent, and Rocky Horror Picture Show. Alvon has also choreographed for Broadway Dallas’ annual High School Musical Theater Awards and has recently developed new jazz dance works for Booker T. Washington High School for the Visual and Performing Arts and McCallum High School for the Performing Arts.
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Jasmine Hearn, born and raised on occupied lands of the Akokisa, Atapke, Deadose, and Karankawa peoples (Houston, TX), is an interdisciplinary artist, teacher, doula, dancer, performer, and organizer. Named one of Dance Magazine’s “25 to Watch” (2025), Jasmine is a recipient of a Foundation for Contemporary Arts Grants to Artists Award (2023), a Cynthia Hazen Polsky and Leon Polsky Rome Prize in Design with Athena Kokoronis of DPA (2023), a Creative Capital Award (2022) and two NY Dance and Performance Bessie Awards for Outstanding Performer (2021, 2017* with the cast of skeleton architecture).
Jasmine has been awarded residencies; LiveFeed Artist Residency at New York Live Arts, Summer Stages Dance at The Institute of Contemporary Art/Boston, Movement Research, NY, NY; Pittsburgh Foundation, Pittsburgh, PA; and the Camargo Foundation, Cassis, France. Their choreographic and interdisciplinary compositions have premiered at Danspace Project, Kelly Strayhorn Theater, Mattatoio presented by Spazio Griot, Ackerstadst Palast, Jacob's Pillow, and the Hobby Center for Performing Arts.
Jasmine has collaborated with Bill T. Jones, Saul Williams, Solange Knowles, Alisha B. Wormsley, Okwui Okpokwasili, Marjani Forté-Saunders, Tsedaye Makonnen, Holly Bass, Bebe Miller, Jonathan Gonzales, and with dance companies, Urban Bush Women, David Dorfman Dance, and Dance Alloy Theater, performing choreographic work at the Metropolitan Museum, BAM, New York Live Arts, Guggenheim Museum, Getty Center, Venice Biennale, Ford Foundation, and the Joyce Theater.
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Stephanie Troyak is a dancer, actress, choreographer, and educator originally from Toronto and raised in Dallas, Texas. Named one of Dance Magazine's "25 to Watch," she was a member of Tanztheater Wuppertal Pina Bausch from 2016–2021, where she performed in fourteen works by Pina Bausch, as well as creations by Alan Lucien Øyen & Dimitris Papaioannou. For her portrayal of Anna in The Seven Deadly Sins, she was nominated for Germany's prestigious Der Faust Theatre Prize for Best Dancer/Actress.
Prior to joining Tanztheater Wuppertal, Stephanie danced with Batsheva Ensemble and Gallim. Most recently, she has performed in Sleep No More, Bobbi Jene Smith's Broken Theater, as Eugenie in Mélanie Laurent's Eugénie Tears, and in Maggie Gyllenhaal's The Bride!. She is also the subject of PORTRAIT: Stephanie Troyak, a documentary produced by the National Arts Centre of Canada.
As a choreographer and educator, Stephanie is a YoungArts Winner in Choreography and recently premiered her newest work, Feast of Shadows, at Marymount Manhattan College. She is an internationally sought-after teacher, leading workshops, residencies, and repertory labs at universities, conservatories, and professional training programs across the United States and abroad. She is currently one of the few U.S.-based artists authorized to teach Pina Bausch repertory through the Pina Bausch Foundation. Her choreographic commissions include works for Wayne State University, SoulEscape, San Jacinto College, Wanderlust Dance Project, and Barnard College/Columbia University. She has taught at NYU Tisch, Springboard Danse Montréal, USC Kaufman, The Colburn School, and numerous institutions internationally.
Stephanie holds a BFA from NYU Tisch School of the Arts and is a graduate of Booker T. Washington High School for the Performing and Visual Arts.
About the Workshops
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This movement workshop will explore jazz dance as an American art form. Emphasis is placed on cultural context, embodied discourse, rhythm and musicality, sequential training, improvisation, and performance. Styles of jazz dance to be investigated in this workshop include, but not limited to, commercial, lyrical, contemporary, Latin, funk, and musical theater.
🔥🔥🔥🔥🔥 (dance is my career— professional level)
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This workshop begins with an improvisation-based warm-up designed to awaken physical awareness, creativity, and presence through guided movement explorations and theatrical tasks. Drawing from contemporary dance, dance theater, and improvisational practices, participants will engage in exercises that cultivate spontaneity, imagination, sensation, and physical storytelling. The second half of the class will focus on learning and workshopping original choreographic material from Stephanie's repertoire. Participants will learn a movement phrase that fuses contemporary dance and dance theater. The material will then be further explored through creative tasks, improvisation, and collaborative investigation, encouraging personal interpretation while offering insight into the choreographic process. The workshop will conclude with an open jam and movement exploration, offering participants space to integrate the material, experiment, and create within a supportive and collaborative environment. Open to intermediate and advanced movers with an interest in contemporary dance, improvisation, and dance theater.
🔥🔥🔥 (some experience — I can learn and follow)
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This class is open to any body that wants to move, sound, remember, and listen.
Together we will warm up our bodies, voices, senses, imagination, and memory with a guided sequence of prompts and exercises sourced from embodied traditions and technologies of Jazz, improvisation, slow cooking, and garment design.
After a short moment to record (write, draw, water), we will take time to locate and experience improvisational recipes and phrase material, as we practice, craft, and rest. Participants will be invited to move, rest, change, still, remember, and dream.
The workshop is guided by the following curiosities:
…how can we source familiar rhythms to locate and acknowledge memories in our bodies with care and attention?
…how can my / your body use memory, sensation, and imagination as ways to enter embodied practices to articulate story, ancestry, and personal truth?
…how can each of us reference our own spectrum of learning?
...how can we reference all the ways we have learned to dance and move? (referencing Jawole Willa Jo Zollar)
You will be asked:
- to take care of yourself.
- to source the languages, spoken and embodied, that bring you most joy.
- to move, still, and rest with the body, voice, experience, and space that you have in the present moment.
🔥 (trying something new — all levels welcome)